#incorrect great comet quote

[incorrectlit]

Anatole, driving: Whoa cool! Bisexual lighting!

Dolokhov, hearing sirens: BITCH, that’s not “bisexual lighting”! Those are cops! DRIVE FASTER!!!

[quotesthatgotmehelpless]

Natasha: Perhaps there's more to Anatole than meets the eye.

Sonya: No, there's less.

[chevril-glove]

this reminds me of the prologue to Natasha, Pierre, and the Great Comet of 1812

Crowley: What are your adjectives?  Aziraphale: …You mean my pronouns?  Crowley: No, I know what your pronouns are! What are your adjectives?  Aziraphale: …I dunno. What are yours?  Crowley: Noisy and chaotic!  Aziraphale: I’ve never had something go from making no sense to making complete sense so quickly.

[kaylinalexanderbooks]

Incorrect Quotes

Thanks @mysticstarlightduck here!

Rules: use this incorrect quotes generator to make some incorrect quotes for your OCs!

Jedi: I can’t do this, it’s against my moral compass.

Gwen: YOUR MORAL COMPASS IS A ROULETTE WHEEL!

Jedi: …Your point?

Maddie: Hey, Jedi?

Jedi: Yeah?

Maddie: Can a person breathe inside a washing machine while it’s on?

Jedi:

Jedi: Where’s Ash?

Carmen: Robbie...

Robbie: I can tell by the tone of your voice that you are disappointed. Alas, I must further disappoint you by affirming how little I give a fuck.

Akash: I can do anything I put my mind to. I once figured out Noelle's phone number just by choosing random numbers.

Robbie: God has let me live another day and I'm going to make it everyone's problem.

Rose: Would you take a bullet for me?

Jedi: ...yes?

*Maddie angrily burst into the room*

Rose: *running away* Great, thanks!

Jedi: I’m a multitasker!

Jedi: I can disappoint fifteen people at once.

Jedi: I may be antisocial and unattractive.

Carmen: ...but?

Jedi: That's all.

Gwen: Isn’t it weird how we pay money to see other people?

Robbie: You mean movies?

Maddie: Concerts?

Ash: Prostitutes?

Gwen: Wha…N-no, I mean glasses, what the fuck-

Maddie: How do ethical philosophers feel about murder?

Lexi: Well, it’s frowned upon.

Maddie: Okay, but what if the reason you want to murder someone is to make your life easier?

Maddie: That’s okay, right?

Rose: Hey.

Kelsey: Hey?

Rose: I can't sleep. :/

Kelsey: I can. Goodnight.

Akash: You have your weirdly sincere humility.

Kelsey: I prefer the term "self-loathing", actually.

Ash: All the sudden I got a random burst of energy, and I think it's my body's last hurrah before it completely shuts down.

Rose: I WOULD DESTROY THE WORLD FOR YOU!

Lexi: Okay, can you do the dishes?

Rose: No!

Gwen: Am I going to far?

Lexi: No, no, no. You went too far about 7 hours ago. Now you’re going to prison.

Maddie: You know you've made it when you see your picture everywhere you go.

Lexi: Those are wanted posters!

Gwen: Guys it’s a shooting star, let’s make a wish!

Rose: I wish for good grades.

Maddie: Nerd.

Rose: Nevermind, I wish upon the shooting star to fall down at a 30° velocity aiming for Maddie. :)

Gwen: Rose…

Lexi: Sorry it took so long to bail you out of jail.

Robbie: No, it was my fault. I shouldn't have used my phone call to prank call the police station.

This was fun!

I'll tag @happypup-kitcat24 @monstrouswrites @museandquill @pluppsauthor @pluto-murphy-writes

+ ANYONE ELSE

TSP intro

TSP tag list (ask to be +/-): @thepeculiarbird @illarian-rambling @televisionjester @finchwrites

@nebula--nix @literarynecromancy @honeybewrites @the-golden-comet

[bookerdwitt]

when I was younger (13ish) I ran an incorrect quotes blog for the great comet and as with any blog like that it was bafflingly inacurrate (and I knew it) but it was the most popular blog I ever made

[parrlyn-4life]

Just need to make an introduction post rq I’ve literally had this in my drafts and completely forgot about it-

Hi everyone! It’s me, Allie!

• My pronouns are she/her and they/them

• I’m a fic writer on Ao3

• I’m 16 years old and about to be am a Junior in HS

• This blog was originally made by my relative but then she gave it to me when she became too busy to run it and that’s when the blog went downhill lmao (she still comes on sometimes, tho)

• This blog was also supposed to be mostly focused on Six the Musical, specifically incorrect quotes and while I still do them, it’s clear that I’ve expanded my horizons to multiple fandoms lol

Below is a list of movies/shows/musicals I’m into so far in no particular order:

• Ghosts (cbs)

• Six the Musical (obviously lol)

• Hamilton

•Ride the Cyclone

• Hadestown

• Alice by Heart

• The Great Comet of 1812/War and Peace

• The Nanny

• The Addams Family (movies, tv show, and musical)

• Wednesday

• The Umbrella Academy

• The School for Good and Evil

• She-Ra

• Arcane

• Carmen Sandiego

• Inside Job

• Once Upon a Time

• The Good Place

• Harry Potter (don’t support jk rowling I solely believe Daniel wrote all the books)

• Helluva Boss + Hazbin Hotel

• The Owl House

• Gravity Falls

• Marvel

I most likely forgot a bunch so expect to see some edits lol

[voluptuarian]

Alright I did a big ass breakdown on this, enjoy (all in good fun, of course)

what kind of musicals you're into vs. how insufferable are you in history fandom (by someone who knows fuck all about musicals)

mostly consume "Golden Age" musicals (Camelot; Rogers and Hammerstein shows; Gypsy; Kiss Me, Kate; Westside Story) You may be fairly into musicals of this era, or simply a casual enjoyer, but either way you like vintage costumes and catchy music with clever lyrics and have no hostility towards musical theater; you may indulge in more modern musicals as well but probably aren't as interested in the post-Sondheim era; no evidence of any strong correlation between this and any particular historical era/fandom. (If you are into a historical fandom, however, it's probably historical fashion, in which case you're probably a prolific costume gif-maker and we all thank you for your service.)

rating: blameless bystander

mostly consume "Golden" Age musicals+ real musical oldies (Gilbert and Sullivan) You're actually genuinely into musicals across the board but prefer vintage productions; if you have a historical era you're into, its probably just the history of musical theater/theater in general. You probably make up 75% of the Pirates of Penzance tag by yourself, although you may not be able to find Cornwall on a map.

rating: generally respectable non-entity

predominantly/exclusively into foreign, rock operas, or both (Mozart, l'opéra rock; Tanz der Vampire; La Légende du roi Arthur; Equal; Elisabeth; Dostoyevsky adaptations; Takarazuka productions) Congratulations, this is frankly the sexiest way you can actually be into musicals imo-- while you're passionately into your musical fandom of choice (despite possibly having to translate and subtitle it yourself) you don't generally find history satisfyingly weird enough (or weirdly sexual enough) to really get it's hooks into you. (You might be hella into folklore, though.)

rating: nice place, but I couldn't live there

actually into (broadway) musicals (old school edition) (Cabaret; Fiddler on the Roof; Wicked; Phantom of the Opera; Cats; Rent; Sweeney Todd; The Threepenny Opera) The category probably the most genuinely committed to musicals as a hobby. (Also most likely to be a grown adult with a job and a mortgage.) Presumably that leaves not that much room for developing a history obsession, but if it does it's probably focused on the Weimar Republic and the Hollywood Golden Age. When I see these folks engaging in fandom it's pretty much exclusively in relation to musicals and musical theater history, and not much else.

rating:

mainstream musical comedies (Book of Mormon; The Producers; Once Upon a Mattress; Little Shop of Horrors; Spamalot) You don't really give a shit about history and that's probably a good thing.

rating: true neutral

actually into (broadway) musicals (new school edition) (Assassins; Natasha, Pierre, & the Great Comet of 1812; Ragtime; Wicked; Hadestown) Most likely to tag memes with otherwise inexplicable things like "this is just like my blorbo leon czolgosz" and produce 500 annoying "incorrect quotes" posts with your show of choice that literally nobody else interested in the era cares about; on the other hand less than a hundred people alive even know who Leon Czolgosz was, and at least half of them only do because of musicals, so that's like a win overall right?? And at least the takes are interesting, and hey, they might actually really get into history through this. (Also of all the categories discussed here, the most likely to actually like sea shanties genuinely and not just bc of a tiktok trend, which you should definitely take as a huge compliment from me.)

rating: whether their contributions are good is questionable-- but they're doing their part providing highly necessary diversity within the historical fandom ecosystem and the waters would grow unhealthily stagnant without them

mostly 60s/70s movie musicals your parents raised you on (for some reason) (Cinderella, Fiddler on the Roof, 1776, the Sound of Music) Your parents probably weren't even into musicals themselves, these were just somehow normalized parts of your childhood cinematic experiences for some unclear reason (??) and at least one of them so deeply impacted your developing psyche that you had no choice but to go become fixated on a random historical period at 10 years old that nobody else cared about the way god intended (and why was it 1776?) And you've been stuck here ever since. (Also you are offended that I said somebody else was the most likely to genuinely like sea shanties-- don't worry folks, we know, you don't like sea shanties, you LOVE them.)

rating: the healthiest, most natural, most respectable musicals subsection to get involved in historical fandom, congratulations to the GOATs-- everybody else, take note

the wicker man is a musical, goddamn it (the wicker man and basically nothing else) First of all, you are gay. Secondly, you are opinionated AF. And thirdly, either you have no interest in history At All Whatsoever, or the line between folklore and folk history has already blurred beyond any hope of separation for you-- if the latter you probably watched Here's a Health to the Barley Mow when it was only available on VHS for $100+ and have regular, heated debates about Margaret Murray and whether Mark Gattiss even knows what folk horror is-- in short, you're a formidable beast-- but more likely your obsessive focus on one single musical in the world precludes your greater involvement in other fields, like history fandom.

rating: observing from a respectful distance

pre-tiktok indie musicals (Hadestown when it was still a concept album) I know there are like a dozen of you that exist somewhere in the world; I've seen so little of any of you, however, that I don't have any fucking idea what you're like or what you think about history. 80% of you are probably actually just three Anaïs Mitchells in a trench coat, so you're at least scoring high on the General Overall Nerd meter but does that nerdery extend to a historical period? 🤷‍♀️

rating:

pretty much just recent musical adaptations of successful movies (Mean Girls, Heathers, Clueless, Legally Blonde) You aren't part of a history fandom bc none of your shows are set earlier than 1980 and your knowledge/interest in history comes down to "Victorians ate mummies, medieval people said "thou" and liked ankles, and everyone in Olden Times was problematic" so I'll consider the lack of involvement a rare blessing. Keep it that way.

rating: tolerable as long as you stay in your lane-- and away from history discourse

you just like Lin Manual Miranda (for what other reason would anyone enjoy In the Heights?) EXTREMELY loud and INSANELY annoying but interest in any historical period (as well as other musicals generally) seemingly shallow and short-lived, Thank Fuck

rating: obnoxious invasive species that will die off soon if it hasn't already

mainstream modern broadway, but conveniently only shows that have had a recent film adaptation (but only for 5 minutes during your court ordered Theater Kid Stage) (Le Mis, Sweeney Todd, Into the Woods, Phantom of the Opera, Wicked)

rating: we all make mistakes

mainstream modern broadway, but conveniently only shows that have had a recent film adaptation (but you're not actually into musicals) (Le Mis; Sweeney Todd; Into the Woods; Phantom of the Opera; Wicked) These are just movies to you. You watch them for the same reason you watch any other "big" movie in theaters. Did you like these movies? Maybe? Was the 2007 Sweeney Todd an inescapable part of cultural consciousness at the time and so you watched it? Of course.

rating: you are too focused (perhaps without realizing it) on the current cultural zeitgeist to spare a thought for the trends and mores of the past. That's ok, I guess.

mainstream modern broadway, but conveniently only shows that have had a recent film adaptation (you are a grown adult) (Le Mis; Sweeney Todd; Into the Woods; Phantom of the Opera; Wicked) The edgier "Your Show" and the more you incorrectly believe it representative of musicals across the board the worst your takes--historical and otherwise-- are going to be. You're obsessed with one historical era that probably centers on some mid rando (a man, obviously-- women just aren't serious enough for you to fixate on, even if you are one) you've woobified as your "smol autistic gay bean" in the fucking year of our lord 2024 who you either kin, want to fuck, want to imagine fucking some other mid historical man, or some combination of all three; best case scenario it's literally a complete random weirdo, from Nikola Tesla to Franz Lizt to Gleb Botkin; worse case scenario (and much more likely) its an authoritairan dictator and/or war criminal; the worse a person your hyperfixation guy was (or the more into the French Revolution you got after watching Le Mis in 2012 and somehow thinking that's what it was about) the higher your chances of being a tankie now, in which case your history fandom initiation was probably an Edgy Political Teen™ stage in your youth which resulted in your long-term interest in fucking one of or both Stalin and Lenin, an interest which may now border on pyschosexual. May be into your historical period of choice enough that you got into academia to professionally pursue it or may simply pontificate about it on social media, but your takes will always will be untouchably toxic and mostly just focused on lionizing your Special Guy, often to the point of total ignorance about anything historical outside of their sphere.

rating: even if you've avoided becoming the worst evolution of this type possible, any historical fandom you touch will still become a fetid swamp on contact; god help you and everyone around you

exclusively extremely new-school or tiktok musicals (Heathers; Six; Epic: the Musical; The Lighting Thief; the goddamn tiktok Ratatouille musical attempt)

rating: GET OUT OF MY TAGS GET OUT OF MY FANDOM YOU DON'T UNDERSTAND ANYTHING ABOUT HISTORY OR MYTHOLOGY OR MUSIC OR LIFE IN GENERAL SHUT UP SHUT UP DIE DIE DIE AAAHHHHHHHHHH

and there you have it!!

I genuinely think the tolerability and quality of a historical fandom is hugely determined by whether or not there's a musical connected to the political period, and the more musicals there are, the more basic those musicals are, and the more tragic eye candy men there are for middle schoolers to ship together, the worse the community is.

One of the great salvations of the classics fandom is that there basically are no musicals, so they're out here re-watching the world's graniest rip of I, Claudius instead.

American Revolution fandom was safe for a long time bc the only musical they had was 1776 which musicals-people don't care about and non-musicals-people don't know exists and all the men are too old for the typical jr high brainrot anyway, but then they went and made Hamilton and the resulting miasma just leaked all over everything. The almost immediate 180 of "Hamilton is cringe" is the only thing that potentially prevented permanent corruption.

And then meanwhile [redacted] fandom somehow glommed onto the most basic musical with a whole club of twinky guys to moon over, but despite it being set in the 1830s somehow they all gateway-drugged it and wound up obsessing over the period 40 years beforehand instead??

[simp4bwayladies]

Helene: I was born for politics. I have great hair and I love lying.

[theatrey-bullshit]

Dolokhov: Don’t worry, I have a few knives up my sleeve.

Anatole: I think you mean cards.

Dolokhov, pulling knives out of his sleeves: No, I do not.

[toomanyincorrectquotes]

Anatole: *leans over to whisper to pierre* pierre has no idea i’m high

Pierre: you’re high?

Anatole: no sorry. *leans over to whisper to dolokhov* pierre has no idea i’m high

[comradebezukhov]

Pierre: Andrei we need to talk about your emotions

Andrei: No we don't

[incorrectlit]

Dolokhov: And it’s just like- [gets hit from behind by a flying object]

Dolokhov: … WHO JUST ASSAULTED ME WITH A CHALUPA?!?!

Pierre, drunk, flipping him off and throwing away the wrapper: You don’t have a wife!

Dolokhov: Yeah! That’s why I FUCK YOURS!!

[quotesthatgotmehelpless]

Anatole: There’s no way he likes me back.

Helene: Dolokhov would throw himself in front of a moving troika for you.

Anatole: Dolokhov would throw himself in front of a moving troika for fun.

[abacus-and-paper-money]

Marya: sorry I'm late everyone, I was doing something important.

*the sound of running footsteps progressively gets louder*

Anatole, out of breath: SHE PUSHED ME DOWN THE FUCKING STAIRS

[ehjaliens]

The GoldenRetrieverEnergy™️ is powerful with this one!!!

Alt title: i am in love oh god help me

[incorrect-wap]

Dolokhov: But... we may as well, maybe, just go. Give me a chance to practice my massive aggression.

Hélène: ... Passive aggression

Dolokhov: Passive... aggression, I know.